
Last fall, while working at the
International Caribbean Art Fair in New York, two exciting things happened. One: I got to meet the famous director/
Haitian Art collector Johnathan Demme, and two: I discovered the work of Jamaican-born and Canadian-bred
artist Dionne Simpson. The fair itself was a poorly-attended let down, but
Ms. Simpson's work was anything but. Beginning with your average
canvas on
stretcher surface, Simpson doesn't simply pile on the
paint, but rather pulls threads out of the
canvas (thus, the classical reference in the title) and adds a variety of materials back into and on top of the screen she creates. The
photographs of her work simply don't do the delicate surface justice; let's just say they look so good in person I seriously thought about blowing a chunk of my savings on one, but sadly for me and my walls, poverty and practicality prevailed that particular day.
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